Fredrick Remington was a great illustrator of his time. He is best remembered for his paintings and sculptures of the American West. Frederick Remington was born in Canton, New York in 1861.  His father was Seth Pierre who was a prosperous newspaper publisher and a person who had served during the Civil War as a lieutenant colonel of the cavalry.  His mother was Clara Sackrider.  He inherited things from his father like an interest in military and cavalry operations.  One thing he did not inherit from him was his trim figure.  Remington had no trim figure, but instead was 5ft. 9inch. tall and weighed well around 300 lbs.   
  He went through Highland Military Academy in Worchester, Massachusetts where he attended for his high school years.  He didn’t grow up in any particular town, but in a wilderness region.  He became an avid hunter and horseman.  He didn’t care much for academic studies and had modest artistic abilities. He spent his free time drawing pictures.  After struggling through public, military, and private schools, he elected to enter the School of Arts at Yale in 1878.  He had excelled more in sports, than in painting. He excelled in football under the captaincy of Walter Camp at the age of sixteen.  Remington received sound technical training, but the work of his was uninspired, and he acquired a lasting distaste for academic art.
  After studying art at Yale he made a trip to the west in 1881 after his father died in 1880.  He tried to ranch in Kansas, but failed and had to sell a western sketch to Harper’s Weekly in 1886.  Harper’s Weekly printed the first cartoon he had illustrated in 1882.  Since they already knew how he drew, he was considered one of the premier illustrators of that time.  His favorite subjects to draw were horses, but he also drew Indians, soldiers, and cowboys.  In Kansas he invested in a salon and a hardware store.  Remington also learned the arts of handling a six-gun and a lariat.  During the Spanish-American War he worked under William Randolph Hearst as a war correspondent for the New York Journal.  In 1895 Remington revealed the “Bronco Buster”. It was Remington’s best-known bronze sculpture. He was then inspired to cast 24 other statues representing the frontier.  He also established a studio for the Art Students League.  Remington found the west exhilarating and knew it contained very fascinating inhabitants.
  Through his uncle’s influence, he was given a position in the State Capitol.  Remington did not go as a dude-rancher or a tourist, but found his own calling, unlike Wister.  Remington was money exhausted and returned home.
  After an unpromising job in the town of Albany, he received patrimony at twenty-one years of age and then headed west.  Becoming a stockman in Kansas was harder than he thought and he failed at it.  
  Returning to Canton in 1884 he was again refused the hand of Eva Caten.  He then headed out for New Mexico and Arizona to try to fulfill his resolve of turning out the pictures of the west scene to get some money.
  In 1897, prior to the sinking of the U.S.S. Maine, he was sent to Cuba to cover the Spanish while holding Cuban prisoners in death camps.  His job was to draw pictures of Spanish atrocities and battles taking place in the revolution. 
  “There is no war.  Request to be recalled.” Is what Remington had written to his employer. 
  Hearst then responded with, “Please remain.  You furnish the pictures, I’ll furnish the war.”
  Afterwards, Remington was sent to cover Theodore Roosevelt’s campaign where he would rather study the rear echelons over the front lines. He was present during the assault on Kettle and Sam Juan Hills “Rough Riders”.
  The remains of his estate were invested in a saloon to earn sufficient income to live on while pursuing his artistic career.  Later, he found out that the other owners of the saloon had swindled him and left him with nothing.  Once again he went back east and was successful in winning the hand of his bride, Eva Caton. Then he went to Kansas City where he gained a long needed stability by her presence.  In 1885 he rode west into the Arizona Territory in search of more material when Eva returned for an extended visit.  With much luck Remington encountered the U.S. Cavalry against Geronimo’s Apaches, which was getting much attention.
  After a rugged and extremely arduous life, he had considerable experience in the elusiveness of the Native Americans who were on the run and the tenacity of Calvary men in pursuit. Remington’s portfolio was bulging and he returned to New York and discovered the editor of Outing Magazine. It was Poultney Bigelow, his fellow student at Yale. His troubles were over. Remington’s work began appearing regularly in their journal.  By January 1886 Remington had developed a very complex attitude toward the Native Americans. In the course of repeated returns to the West, he found admiration for the primitive people. While his fame grew, he found his work in sudden demand. He began receiving requests for book illustrations. He had one published in the Century Magazine of Roosevelt’s “Ranch life” and “Hunting Trail”.
  Remington died of appendicitis at his studio home in New Rochelle, New York on December 26, 1909.
  His depictions of the western frontier would ensure his immortality.


Cody Dick
Rossville Junior High
2002 Plains Project

Bibliography

Picture Gallery